Montreal Band Karmadoza pays tribute to The B-52s
Paying great homage to the “world’s greatest party” band but forgoing the bouffant hairdos, progressive band Karmadoza’s latest album – “K-52s – A Tribute to The B-52s” – is chock full of splendid songs from the new wave rock pioneers The B-52s. Karmadoza features a collection of Montreal’s hip accomplished musicians: Guitarist Stéphane Vigeant (Floating Widget, Madking Ludwig, Groovy Aardvark), Vocalist Vicky Martel (Vénus 3, Killing Venus), Guitarist François Legendre (Paranoland, Groovy Aardvark, Lumberjack), Drummer Raphaël Corbeil (Madking Ludwig), and Bassist/Vocalist Vincent Peake (Kosmos, Floating Widget, Groovy Aardvark, Grim Skunk).
Karmadoza’s eleven song album – currently available for download through www.emusic.com – features The B-52s classics of their signature anthem 52 Girls, Lava, and 6060-842 from their kitschy self-titled debut album. Karmadoza’s 52 Girls version rivals that of the Offspring’s cover. The rhythm section really savages the beat. Vicky’s melodious vocals equally match both Cindy Wilson and Kate Pierson. Vincent `a la Fred Schneider harmoniously duets with Vicky, keeping the music as amusing as it should be. The more psychedelic Private Idaho, Dirty Back Road, Strobe Light, and Give Me Back My Man – a campy song about a woman losing her “man” to a man-eating shark – from the “Wild Planet album”. Karmadoza exhibit these absurd renditions in fabulous style. My favorite cover is Channel Z, a quirky tune about a fictional radio station.
This album is the pursuit of fun loving pop culture at its best. Rather than being nostalgic, the usually rock/metal influenced Karmadoza modernizes The B-52s sound without imitating it. Their purpose is pure; the quality is inventive. It’s a fresh, liberating musicianship as opposed to cheesy pop-tart art. If The B-52s welded punk rock into new wave, then Karmadoza transformed new wave back into punk rock.
To find out more, please visit Karmadoza’s Myspace page at www.myspace.com/karmadoza.
Click here for a free download of “52 Girls” http://www.karmadoza.com/K52/52_Girls.mp3
Enjoy!
October 27, 2007 Posted by sonicsirens | Blogroll, Heavy Metal, Music, Music News, Progressive Metal, Progressive Music | B-52s, Canadien Bands, Floating Widget, François Legendre, Grim Skunk, Groovy Aardvark, Karmadoza, Killing Venus, KOSMOS, Lumberjack, Madking Ludwig, Montreal Bands, Paranoland, Raphaël Corbeil, Stéphane Vigeant, Vicky Martel, Vincent Peake | No Comments Yet
The Kosmic Konnection – Kosmos Premiere Album Reviewed

Kosmos – a new project by Voivod drummer Michel “Away” Langevin – is dedicated to progressive music at its psychedelic best. Both friends and musicians, these guys must have launched together in the spaceship that traveled them back to atomic punk. All of them – experienced in their art – give them license to explore the genre further. Joining Away on his space odyssey is the flamboyant hip swiveling JetPhil giving us his smoky groove guitar playing, the omnipresent Vincent Peake providing his rocket-fueled bass, and Alex Crow, guitar extraordinaire and electrically-talented keyboardist.
Dedicated to Denis “Piggy” D’amour, Voivod’s singular guitarist, who succumbed to colon cancer in August 2005, the album’s 12 songs are each chock full of bizarre distortions set to the maximum level taking you on a time traveling journey. The first song, which happens to be my favorite, Psycho has flavors of 70s prog rock bands such as Yes and Rush. JetPhil captures Jeff Beck’s guitar sounds at his best and Alex Crow channels Rick Wakeman in this whirlwind ride. Dreams remind me of a lullaby high on laser beams while Grand Grizou flies the spaceship to the next galaxy. The space-induced whispers of Yawa leads into the cosmic shaman sounding Indu Kush complete with Indian chants and featuring Away’s notoriously thunderous drumming.
This mostly instrumental album also has a couple of tunes with vocals. The Mark Bolan-style bluesy Much Too Old featuring Xavier Caféϊne on vocals and the poetic spaced-out Amerique Innavouable showcasing Vince Peake’s incredible bass grooves. Krautrock is a generous tribute to all the Kraut rock bands like Hawkwind, Zombi, and Monster Magnet. Finishing the tour is rocket-fueled Septial and Mess Noire – a 70’s grooved song that’ll have you up and dancing wondering what happened to Be-ins.
The best thing about Kosmos is the dream journey they unwittingly take you on – letting you forget the troubles of today and finding a future in your tomorrows. Close your eyes and keep believing.
Please visit their website at www.myspace.com/kosmostheband.
October 15, 2007 Posted by sonicsirens | Heavy Metal, Music, Music News, Progressive Metal, Progressive Music | Alex Crow, Canadien Progressive Music, JetPhil, KOSMOS, Kosmos the band, Michel "Away" Langevin, Montreal Progressive Music, myspace.com/kosmostheband, Progressive Music, The End Records, Vincent Peake, Voivod | No Comments Yet
Featured Band – The Asylum
THE ASYLUM – Hot Arizona Metal
Looking for a great sound with an innovative crunch and ferocious complexity? You’ll have that with The Asylum – an up and coming Phoenix-based heavy metal band. Self-described as emotional, powerful, heavy and aggressive, The Asylum certainly live up to their expectations. Reminiscent of old Metallica and Megadeth, they effectively break the sound barrier of mainstream metal.
Formed in the summer of 2005, the lineup consists of Jason Kendall’s spine chilling vocals, Vince LuPone’s faster than the speed of light guitar playing, Gerard Burick’ assailing thunderous bass and Dan Edwards’ head banging drums.
Recorded in Vince’s home studio, their debut album Closer to the Evil contains 11 songs of intense magnitude. You can listen to a sampler at www.myspace.com/theasylummetalband.com. The album starts with the riveting “This War Ends” which showcases each member’s talents. Jason’s vocals sound like a pumped up Rob Zombie. Mellower “Torn Apart” is The Asylum’s powerhouse ballad – metal style. The album finishes with “Boundaries” a nine minute thought-provoking piece. Lyrics are challenging with opalescent rendering.
The Asylum is currently touring Arizona, California, Nevada, and New Mexico with a few dates at the legendary Whiskey a Go-Go in Los Angeles. Make an effort to join Jason Kendall in lacing up your straight jackets and go see them live. Tickets are available for the Whiskey shows at their MySpace page.
The Asylum – “This War Ends” live at the Whisky a Go Go
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Current tour dates are as follows:
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| Aug 10 2007 | 9:00P |
| Aug 15 2007 | 10:30P |
| Aug 24 2007 | 10:30P |
| Sep 28 2007 | 11:15P |
| Oct 27 2007 | 11:00P |
Please visit their websites at www.TheAsylumFans.net or www.myspace.com/theasylummetalband.com.
July 23, 2007 Posted by sonicsirens | Blogroll, Heavy Metal, Music, Progressive Metal, Progressive Music | | No Comments Yet
About

This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
About Sirens of the Sonic Age Sirens of the Sonic Age is a site devoted to progressive music and the artists and fans who support it. Coverage of the latest news, concerts and releases will be posted continually to keep you informed. Profiles of up-and-coming artists as well as the great dinosaurs of innovative music will be included on the front page. Plus videos and music streams will be added for your pleasure. Music is an all terrain vehicle – allow yourself to jump in and explore. So strap in for a bit and enjoy the sonic ride.
How to Navigate this Site: It’s really simple. The front page features the profile for the month. Lowdowns from the Ledge is the latest news. Road Warriors will give you the current tour du jour. And Just Released is what new music has been issued either via CD or online or both. More pages to be added shortly. I always welcome comments and suggestions.
About Connie J. Schlosberg I’ve been both a music fan and a participant for as long as I’ve been around. I’ve been a deadhead, a parrothead and a metal mamma. My interest for progressive music started after high school when I dated a guy who was heavy into such bands as Yes and Rush. He didn’t last long but my love for prog rock did. I expanded my horizons to any artist who is willing to put it all out there. When I studied acting at the Theatre of Arts in Los Angeles, my friends and I would hang out at the Rainbow and Gazzarri’s, furthering my tastes to heavy metal. I figured I would put my journalistic chops to good measure and start this site – both to entertain myself and expose new sounds to anyone daring enough to be open-minded. Please visit www.connieschlosberg.com for more information.
Copyright, Connie J. Schlosberg, 2009
What is Progressive Music?
Any form of music that uses experimentation with its compositions including standard song structures such as the popular verse-chorus (ababacab). Musical arrangements often incorporate a variety of genres including classical, jazz, world music, avant-garde, hard rock and heavy metal. Lyrics are based on concepts, philosophies, and fantasy.Pages
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